Title: Purple Chillies
Label: Regan Records
Released: 5th of July
I'd not come across Australian artist David Le Breton (Daheen) before he submitted this album for review but he's released a couple of albums since 1998 and upon listening I found it certainly fits the ethos of this blog. I can't tell too much about David other than he enjoys creating chill out and psy-trance and performing live with his lap-top, keyboard guitar in an array of theatrical masks and costumes. This album is a collection of his down-beat tracks amassed over several years and features the vocals of Karolina Kulczynaska-Le Breton and Dom Edwards on Digeridoo.
The aptly titled 'Rising Sun' is a lovely introduction to the album with gentle acoustics layered over mellow keys and a down-tempo didgeridoo creating an overall laid back and summery atmosphere. Next up is 'Vibratones' which maintains the acoustic elements and laid back attitude, additionally features ethereal feminine vocals and has a slightly Eastern feel to it. 'Anthropcene' on the other hand employs ecological scientific samples you would expect in a psy-dub track, however, this is a more gentle and acoustic affair more akin to 90's trip-hop and lounge.
The album changes direction with 'Tinkling' which as the title suggests begins with some classical piano but slowly evolves into a more twisted psychedelic dub, employing a number of clever tactics from dropping back to the piano adding acoustics and the ethereal vocals into the body and ambient breakdowns. Now the album gets dirtier, darker and dubbier with Australian newsreel samples on
A widely unpopular issue with 'Frackin' Hell which to me is very much in the vein of tracks such as Coldcut's 'Revolution'. Following on in a similar fashion with global issues that concern the planet reeled over a psy-dub with hard-hitting low frequency bass on 'Mass Extinction' shows the versatility of the album.
The next track 'Symphing' reverts back to the classical piano, this time accompanied by strings, brass and ethereal vocals before the dubby bass-line is featured. While 'Hope' is a psy-fused reggae dub containing vocal samples on 'Materialism' issues. The Purple Chillies mix of 'Hummingbird' begins with an African storyteller slowly introducing a gentle ambience before dropping a throbbing low frequency bass-line, hypnotic synths and acoustics. The album closes with 'Remembering' a gentle and atmospheric piece again featuring the ethereal vocals and sparse deep bass notes.
To summarise, I can't see this being the soundtrack to everyone's summer but then who wants to follow the crowd? Personally, I like this album for the elements it employs at times gentle and heavenly at others dark and dirty, at times retro sounding and others far more recent. Ultimately it serves the purpose he's set out to achieve.