Showing posts with label Radium88. Show all posts
Showing posts with label Radium88. Show all posts

Tuesday, 8 December 2015

Radium88 'The Loneliness of the Long Distance Space Traveller' Review




‘The Loneliness of the Long Distance Traveller’ is the 8th album by Nottingham based band Radium88. The band consists of Jema Davis who provides the delicate and ethereal vocals and Tim Thwaites, who pretty much does everything else!
I must confess an ignorance of the band up until recently when I discovered a track titled ‘ The Futures bright, The Futures Incandescent’ ,their contribution to Toby Mark’s (of Banco de Gaia fame) recent compilation ‘Strange Eyed Constellations'.
This album represents somewhat of a ‘stylistic leap sideways’ for the band, according to the blurb that I received with the album.
It certainly builds upon the ambient dub like textures apparent on ‘The Futures bright’ with a more, at times, guitar and beat driven formula; however, funnily enough, for me the more interesting and richly textured tracks are the ones of a more sedate vintage (although the change in tempo mid song during Track 4 ‘Renunciation Blues’ from a Dubby chugger to a slide guitar driven voodoo wig out is simply superb. My only complaint with this track is that it could have gone on for longer).
The album begins with ‘Disavowed, no doubt unaware’ sounds like it being heard over the airwaves beamed out for the depths of space. This segues nicely into ‘who will save us from the waves?'
Track 5 ‘Washed by Gravity’s Waves’ is reminiscent of a lullaby overheard from Cygnus XI- quaint and yet somewhat disturbing. This sense of unease and melancholy seems to permeate throughout the album, in keeping with the title and track names, perhaps representing a concept?
The beginning of Track 6 ‘The girl who outshined the Void’ with its gorgeous piano refrain put me in mind of an out-take from the Blade Runner soundtrack, before gentle beats are layered to aid a perfect accompaniment to the piano.
‘Heavy water, falling Stone’ is simply sublime- building delicately with Jema’s floating, choral vocals, it also progresses to become subtly more beat driven, intertwined with some excellent guitar work- all the parts working together in perfect harmony. This track for me perfectly utilises Jema’s vocals to full strength
‘The disappearing skies’ is the sound of a Parisian Café magically transported to the beach of some far off star.
Things seem to kind of weaken after this, with nothing seeming to match the imagination of the tracks that have gone previously.
Overall this is a good album with some lush and sophisticated ideas. Radium88 have served up a strange little dish (no bad thing in a world of X-Factor and its homogeneous banality) with more than a hint of melancholy, but with moments of genuine lightness and charm.
Reviewed by Matthew Foord
This album was released by Lotek Recordings on the 1st of November 2015 and widely available for purchase
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Wednesday, 26 August 2015

Disco Gecko's 'Strange-Eyed Constellations' Compilation Review




Artist: Various



Title: Strange-Eyed 

Constellations



Label: Disco Gecko



Released: 4th Sept








Compiled by Toby Marks (Banco De Gaia) with a title inspired by a Tom Hardy poem and as tribute to Mike Barnett the founder of Beyond Records who featured some of Toby's earlier works on their Ambient Dub series.

The album begins with 'Dum Spiro, Spéro' by Astropilot, whose space style synth work I've always admired but the four by four beats he often employs can become repetitive. There's no such problem here with this beat less number which hooked me immediately with it's sheer aural elegance. This is followed by 'Sirens of Lorelei' by Dr Trippy as I've never heard him before. Admittedly, there's an ethnic element to the track which increases in the middle but either side throws a sheet of angelic voices and flutes over a snail pace beat. The theme of mixing angelic voices and tribal chants continues with 'The Inuit Snow Song' by 100th Monkey a superbly chilled psychedelic dub and by this point I'm tipping my hat at Toby's fabulous selections.

The looped sequences that kick off 'The Future's Bright the Future's Incandescent' by Radium88 immediately brought Fluke and Underworld to mind (albeit with the brakes on) upon which an ethereal vocal leads to a more eastern flavour and you'd be hard pressed to find a more chilled vocal than this. The mood turns slightly darker with a combination of eerie atmospherics and tribal beats with 'Floating World' by Spatialize but the light shines through the darkness with some lovely strings. This theme of light and dark continues with a Far East drone fusion with the Shanghai 8am mix of 'Falling Tides' by the man himself and surprisingly not under his Banco De Gaia moniker.

I'm not sure you can go much slower than the dreamy tribal dub 'Festival of Lights' by Oombata Key. Whilst the tempo is taken up a notch with 'Dimensions' by Temple Hedz this piece initially layered with guru monologue and complemented further with a lovely eastern vocal is still more than suitably chilled. Moving towards a more experimental direction with 'Project Transmissions' by The Heavenly Hundred combines soft gentle piano with fuzzy atmospherics and distorted orchestral tweaks.

Back under his Banco De Gaia pseudonym 'To the Nth Degree' threatens to bring an uplifting surge with it's opening tribal chorus but soon dips down into soothing ambience with field recordings and piano. 'It's Beautiful Mike, It Really Is' by James Eller is a wonderful combination of NASA transmissions, spacey fx and piano. Although, he may not be the first to utilise this theme with the samples it works superbly well. 'Penates' by Sam Salem drifts back to the eerie atmospheric tribal drones of some of the previous tracks and leads us to the climax 'Epiphany' by Andrew Heath where once again the piano takes centre stage in a beautifully gentle melodic piece.

To summarise as with many compilations some tracks appeal more than others. However, there are some really strong tracks on here for me and I can't say I particularly dislike any of them. The years not over yet but for me this has to be a contender for ambient album of 2015. Full marks to Mr Marks so to speak and hopefully this isn't the last we hear of his selections.

Reviewed by Woodzee.

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