Showing posts with label Merkaba Music. Show all posts
Showing posts with label Merkaba Music. Show all posts

Wednesday, 25 March 2015

DISSØLV 'Realms of Passage E.P.' Review


Artist: DISSØLV


Release: Realms of Passage E.P.


Label: Merkaba Music


Released: 23rd March







Valentin Santana has studied tribal percussion and classical violin since he was 5, as the sole writer and producer behind DISSØLV (a high energy live group which combines live instrumentation with electronic dance music) he has performed along-side heavyweights such as Sphongle and Infected Mushroom. This latest release has changed direction with the focus aimed at exploring areas of mid-tempo concious bass music rather than continuing with their psy-trance and dub-step roots.

The E.P. begins with 'Oracle Iris' a slow melodic number layered over natural field recordings, with areas filled with deep bass injections, tribal percussion, eastern vocal stabs and elongated ambient breakdowns. For me it contains all the right ingredients but fails to hit the spot.

This is followed by 'Royaltea' which opens in an orchestral manner and although the piece is melodic in places it also takes the bass deeper in others. Filled with low horn sounds, gritty twists and Arabic synth sequences it's certainly holding my interest more than the opening track.

'Ascending Sun' is a contrasting track that toys with twitchy deep bass and hip-hop vocal stabs, then drifts into more uplifting chilled dub with a mellow vocal hook that overlaps more and more frequently as the track progresses.

The e.p. closes with 'Entanglement' where the bassline chugs along nicely with occasional deep bass rips nestled amongst melodic keys and rolling layered synth sequences.

To summarise, This new direction works efficiently as a studio production. However, as a live perfomance I guess some of the energy of the act will be lost, replaced with speaker shaking bass (which may well work for some). Overall it's not a bad release but for me 'Royaltea' is definitely the stand out track.

Review by Woodzee.

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Sunday, 9 November 2014

Subaqueous 'Tides of Twilight' Review



Artist: Subaqueous


Title: Tides of Twilight


Label: Merkaba Music


Released: 11th November





This is the fourth album release from Seattle producer Issac Cotec a.k.a. Subaqueous, along with various e.p.'s and re-mixes and live performances with the likes of Bluetech and more recently Living Light.

This release is part of a wider multi-media experience through Epoch Legends working in tandem with associated images by Ryan Johnson and Dave Peixoto and a story penned by Elise Barrett.

The album opens up with 'Insistent Shades' featuring Kalpatura Tree it switches between psy-dub and world music creating a wonderful dream-like ambience. 'Depth of Field' leans more towards IDM but retains the soothing ambience and eastern instruments that provide the illusion of a band.

The title track which features George Sadak and Guda delves into the world of the Indian Raga's with tablas and bamboo flutes layered over an ethereal background. It sounds pleasant enough, although initially I was puzzled as to why this was selected as the title track. Well at least until the sax kicked in and transformed the piece into a laid back jazz fusion.

The album continues in a similar fashion and although it retains the eastern elements of previous releases there's a more gentle approach with touches of a wider musical influence entering the fold. 'Glimmers' featuring Michael Maricle for example has no catchy hook and the dirty low frequency bass is an infrequent background to the light airy chimes and classical piano. In contrast 'Stillness Dawns' featuring Desi has an almost shoegaze quality to it, a feeling enhanced admittedly by the vocal.

The album also contains a couple of bonus tracks. The first 'Ethereal Being' featuring Kelly Castel Scott and Soham which vocally reminds me somewhat of an old Smith & Mighty track but doesn't quite hit the spot. While Moon Frog re-works 'Glimmers', it's a soothing alternative with a classical feel, which provides suitable armchair music for a Sunday afternoon.

Reviewed by Woodzee

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