Release: Deer Park 2012 vol 2 (Chillout Re-mixes)
Label: Section Records
Release Date: 3rd December 2012
For me Circuit Breaker Re:Wired is a must have album for any fan of electronic chillout music containing the original album and another disc of fabulous re-mixes by quality artists. This is one of those albums where fillers are few and far between but even among the gems there’s one track that is widely considered to shine not only on the album but within the genre itself.
Section records released the parts to “
earlier this year and ran a remix competition for followers of the label to
bring their creativity to the table and work with one of the Tripswitch
favourites. The winning mix was a
down-tempo version from Radioactive Sandwich, but the high quality of the
submissions has led to a 2 package(dance and down-tempo) release just in
time for Christmas.
I’m going to concentrate on the down-tempo release here (after all we are about dub and chill).
I can see why Radioactive Sandwich’s submission was selected the elongated intro paves the way into a blissfully soothing take on the original peace and despite being slightly reserved on re-mixes of a firm favourite I have to say I really liked this.
Joey Fehranbache follows and keeps a suitable chilled opener with a really nice dub echo on the sounds. The track doesn’t deviate too far from the original while containing some nice melodic fresh input and although the track ticks along nicely for me there’s something lacking which I can put my finger on in comparison to Radioactive Sandwich's mix.
Audioglider start their mix in a darker, moodier direction upon slow firm 808 beats. The more chilled elements seem to bounce against this for a while but I found myself easing into the track along the way. Once again it’s listenable but for me lacking a certain something.
The final mix by Tektribe (a partnership between Ultimae label DJ Nova and ethno-percussionist Antonio Testa, with guitars from Rodolfo Airoldi) really appeals to me and could well have got my vote. This ten minute long journey begins fusing natures elements balanced with wonderfully apt synths, the guys slowly introduce tribal percussions and guitars riffs underneath Natasha Taylor’s exquisite ethereal vocals. Six minutes in and the drums are almost building an undercurrent vibe akin to a tribal house monster whilst still maintaining the chilled atmosphere.
Reviewed by Woodzee