Tuesday, 24 March 2020

Tripswitch 'Momento Mori' Sneak Preview Review







Artist: Tripswitch



Title: Memento Mori



Label: Section Records



Released: 22nd April










In recent years Nick Brennan has placed his focus on producing progressive house tracks on Onedotsixtwo, which have been getting airplay from seasoned veterans such as Nick Warren and Hernan Catteneo. Now the focus has switched back to where he initially carved a name for himself with twelve new downtempo tracks to be released on Section Records, a label initially created to encompass everything from ambient and dub to nu-disco and drum & bass.


The Kickstarter campaign for this album got off to a flying start, confirming the interest in the slower productions of the Tripswitch brand and I’m fortunate to have a sneak preview and a chance to express my thoughts on the results.


We begin with ‘Petrichor’ which begins in what I would label as somewhat of a stereotypical Tripswitch trait of recent times, with melodic loops and elongated dubbed out vocal stabs, but without that four by four kick that I would associate of late. Considering I’m setting the bar high here for the first track I’m not disappointed. This is followed by ‘Touch Response’ where guitar strings are plucked and delayed over an atmospheric background with choral voices once again hitting the spot before a heavy bass chord plods alongside. However, we now reach the point where Mr Brennan combines with Mr Warren on ‘Last Waltz in Weirdsville’ and boy is this a winner! It displays an orchestral atmosphere, sadly lost from the days of trip-hop and a good peppering of fx, add the harmonica and you can almost imagine Ennio Morricone was leaning over their shoulder with a few tips.


Once again I had the feeling from the intro that ‘Penumbra’ has a distinct Tripswitch sound but it soon morphs into a different direction with shuffling rhythms, strummed guitar and eastern flutes. While ‘Nector’ drops the pace as mellow ambient keys are employed over scrapes and bleeps before the guitar is added and the piece lifts up in pace a tad. The intro that follows on ‘The Box’ is elongated and eerie with somewhat of a movie soundtrack feel, where at times I’m not sure if I’m being lifted out of this box or getting trapped inside.


There’s a touch of the classical about ‘Souvenir’ and it puts me in mind of Vangelis with a modern twist. Whilst the approach to ‘Kauri’ initially seems to blend future garage with elements of psychedelia. However as the piece unfolds it’s more akin to synthwave, with beautifully crafted builds and harmonic voices. Next up is ‘The Final Piece of the Jigsaw’ (strangely not the final track at least on the preview) where the spacey synth sounds could easily sit in a classic piece of Berlin School, add strings, mellow piano and angelic vocal snippets and just float away.


The album continues with ‘Fifty Thousand Volts’ which has a more gritty almost industrial feel to the track before it’s juxtaposed with a soothing piano layered over the top. A rising loop and sweeping synths provide the intro to ‘Forever’ add some fx, sustained piano and a bit of whoosh before it drops and slowly builds again with some choice vocal stabs. Now we reach the final track ‘Maranasati’ which again has somewhat of a cinematic atmosphere that filters distorted tribal vocals amongst dark and light sounds.


To summarise this album retains certain aspects from ‘Circuit Breaker’ and ‘Geometry’ but just as they had their differences, so does ‘Memento Mori’. In some respects I’d say Nick has matured drawing on influences as far afield as Burial and Vangelis. Now don’t get me wrong I’ve followed the progressive house releases and brought a fair few of them. However, this is where my heart lies and although it’s not going to be everyone’s cup of shamanic tea, I think Nick deserves every bit of praise he gets. In these times of mass production within the downtempo genre, with numerous styles and variable quality for me at least this is a welcome return that oozes quality.


Review by Woodzee


Join up for the Kickstarter campaign and teasers here







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