Showing posts with label Sofa Beats. Show all posts
Showing posts with label Sofa Beats. Show all posts

Monday, 6 July 2020

Terra Nine 'Eternity Remixes' Review







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Forthcoming on Sofa Beats the electric voila driven electronic compositions of Terra Nine are given a makeover by some of the biggest producers from the world of psy-chill, dub and downtempo electronica.


We get underway with Kuba’s take on ‘Dub Terratory’. Now this particular track is featured a number of times and I’ve yet to hear the others to compare. But this is great! The soothing bamboo flutes drift off the electronic dub perfectly, creating a vibe that is uplifting to my mood. This is followed by the Kaya Project and although they also utilise the bamboo flute, take a somewhat different (but equally amazing) approach to the same piece. Utilising an acoustic intro that leads into a more squelchy and percussive number. By this point we move along to Pete Ardon the brainchild behind Orchid-Star and his re-working of ‘Incandescent’, which once again drifts lovingly between melodic electronics and eastern elements that are pleasing enough to the ear.


Once again we return to the ‘Dub Terratory’ track this time with Gabriel le Mars dub mix. As you may have anticipated there’s more drive to this version, than the previous two. The spanking bassline and melodic loops setting me in mind somewhat of System 7, another job well done. Despite his recent return to the downtempo arena, Tripswitch on this occasion applies the melodic prog sound he has also become associated with, on ‘New Vibration’. Whilst Green Beats takes a melodic and electronic approach as opposed to the eastern sounds on ‘Dub Terratory’. Providing a listenable alternative to the previous re-mixes that slots in nicely to this section of the album.


Next up his Gaudi who adds his production wizardry to ‘Dub Terratory’ applying a more traditional reggae drum pattern to the bass and drums, which balances nicely against the soothing elements of the piece. We then move onto Noosfaere’s re-working of ‘Ocean’ where they drag the piece into darker territories ranging from slow and heavy to more aggressive drum patterns. Then to see us out is Terra Nine’s No Words Re-mix of the title track (which was my personal favourite from the original album). There’s an almost orchestral feel to the music, with some beautiful piano keys juxtaposed against a two-step beat which creates a loving marriage to the overall effect.


Reviewed by Woodzee


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Thursday, 12 September 2019

Terra Nine 'Eternity' Review







Artist: Terra Nine



Title: Eternity



Label: Sofa Beats



Released: 12th Oct 2019










Mike Wescott returns under his down-tempo guise Terra Nine, with eight new tracks of viola driven dub and psy-chill flavoured goodness following his annual European festival stint.


The album sets off in slow motion with ‘Dub Terratory’ where almost trance like sequences spring off the squelchy bass chords and electronic rhythms. The next piece ‘Metatonic’ lifts slowly from it’s ambient space music like intro into tabla percussion, fusing ethnic and harmonious angelic voices throughout the piece.


The journey takes another turn with ‘First Date’ where a fuzzy electro groove leads slows down and then leaps up slightly with piano keys and soaring voila, which I guess could well reflect the emotional turmoil of the title. There’s no speed fuelled car chase with ‘Vanishing Point’ it begins more akin to drum and bass with the brakes on, while the 10 minute road trip dips through atmospheric avenues and moments of angelic viola licks.


The following piece ‘Ocean’ retains those angelic voila licks but with somewhat of a dark underbelly than the atmospheric feel of the previous piece. Whilst there’s something of a fusion of 80’s euro synth-pop and 90’s trance slowed down with ‘New Vibration’.


There is a slow sweeping build up on ‘Incandescent’ that you could be fooled into thinking it will take off. That is, until the slow plodding beat is employed and your dropped into an atmospheric ambience. However, don’t rest on your laurels just yet as Mike springs into harmonious dnb for the majority of the track. Now unusually and finally we reach the title track ‘Eternity’ and it really is a beautiful piece where piano chords are infused into drum and bass and indistinct vocal samples.



Review by Woodzee


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