Showing posts with label Sinepearl. Show all posts
Showing posts with label Sinepearl. Show all posts

Tuesday, 22 December 2015

Interchill the Compilation Review

Interchill Compilation


I must confess that this album was on my Bandcamp wish list, so I was delighted when Woodzee offered me the chance to review it.
First thing that struck me is the beautiful artwork adorning the front cover- the morning sun (I assume), in a clear blue sky partially hidden by the girder of a bridge. A perfect moment of stillness.
The artwork appropriately sets the mood for the music contained within. This is a selection obviously compiled with great love and attention to detail and as such it seems a bit churlish to have favourites. In saying that I’m going to single out the tracks that I either knew beforehand or grabbed my attention at first listen
First off is the effusive tones of Bruce Bikerton aka Alucidnation. I’ve known of Bruce’s music for a good few years now and love the warmth and generosity of his stuff. I was lucky enough to have Bruce compile a sublime selection for my radio show a year or so ago- (https://hearthis.at/thehouseoftheflyineyball/network16-alucidnation/)
Next up is the sublime Tom Green aka Another Fine Day with a track from his most recent album ‘A good place to be’. On remix duties is Greg Hunter who comes up with a delightful little twist taking in elements of Dub and Didgeridoo. The Kaya Project's 'Desert Phase' (Hibernation remix) is a more up-tempo offering, yet still proves to be a gorgeous slice of aural sunshine.
This is followed by the dreamy vocals of ‘To Mend’ by Bluetech & Lynx & Janover. I must admit that I far prefer this version to the harder original with the softer approach that Bluetech has taken the piece. Whilst Tom's 2nd inclusion on this compilation is the delicate and playful ‘Dusty Feet’. This track is the aural equivalent of summer rain, all light and refreshing
Spiral System follows up perfectly with the aptly named ‘Rain’. A great bass line provides the foundation for a lazy, hazy meander. Then Liquid Stranger takes us for a little diversion into ‘Zero Gravity’ before the brief interlude of Sunmonx laid back number ‘Run’. Then the Kaya Project return with their second offering the even shorter, but appropriately named ‘Flicker’. Short but extremely sweet.
Sinepearl serve up the aptly named and blissful ‘Ceremonial Tea’ and Ishq follows with a sublime slice of ambience. Best let these last two just work their subtle magic over you and please don’t attempt to operate any heavy machinery!
Alucidnation return for their second offering ‘Genetics’. This time remixed by the incomparable Mixmaster Morris in his much loved Irresistible Force incarnation. For me Morris can pretty much do no wrong and this track has long been a favourite of mine. I’m very much looking forward to the new Irresistible Force album seeing the light of day, hopefully in the New Year.
Liquid Stranger finishes off the delights with a final slice of excellence, which puts me in mind a little bit of Global Communications, remix of Chapterhouse ‘Pentamerous Metamorphosis’. Which is no bad thing at all.
In my honest opinion this is a sublime selection of chilled and ambient tunes to keep away the winter chill and I heartily recommend adding this to your collection.

Reviewed by Matthew Foord

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Wednesday, 19 November 2014

Interchill's 'Waypoint' Compilation Review



Artist: Various


Title: Waypoint


Label: Interchill


Released: 19th November




On previous compilations whichever stance Interchill's head honcho Andrew Ross Collins took on a compilation, whether it's reggae and dub, chilled electronica or global bass you could be rest assured that Andrew's selection of hand picked artists which may or may not be familiar to you, would be a blend of the tried and tested with some new discoveries and the result would usually come up trumps.

There's a slightly different approach to this compilation all the artists have previously appeared on Interchill's releases (an Interchill's underground All-Stars if you like) and focuses on creating a sonic journey of contrast within the spectrum of chill out music rather than the similarities.

The journey begins with the Hibernation re-mix of 'Indifference' by New Zealand's psychedelic dance producer Grouch. Which entices you in with an atmosphere of lush synthetic eastern infused electronica transcending into the realms of psychedelic bass music and back. This is followed by Drift's 'Invisible Spirit' which is a contrast within it's self drifting (excuse the pun) between laid back, sun soaked acoustics of a Mediterranean vibe and darker electronic bass notes.

Although from his name Guru Shishya may appear like he's going to offer a Turkish number with 'Rich In Loss' appearances truly are deceiving as the piece is more orchestral chill with a gentle choir and a crescendo of drums and synths towards the end. Next up is Gaudi who manipulation of vintage hardware and modern techniques have firmly placed him as a latter day master of dub. There's no guest mc or theramin scratches in this piece it's a blend of traditional reggae dub with some ambient breakdown's and a touch of Indian percussion in the form of tablas.

The journey turns another corner with Seb Taylor re-mixing one of his previous releases under his Kaya Project moniker 'Dust Devil' under his glitchy ambient moniker Hibernation and spinning rather than turning expectations on their face with a stroke of genius and more than a touch of jazz. Variant Field a collaboration of Amani Friend of Desert Dwellers fame and Alex DeYoung offer a crisp and crunchy piece of chill with a spring in it's step and some nice melodic breakdowns as the title 'Dulcet Dalliance' suggests.

When I first heard the throwback dub of Another Fine Day's 'Walk Tall' as a teaser for this compilation I commented it was so laid back it was almost horizontal and this piece of jazzy piano lounge truly epitomises lazy Sundays. While Austero layer a blanket of Mediterranean beach chill over a surface of IDM beats and Latin vocal samples with 'Fuerza Brutal'.

The album then flows through a trio of contrasting Swedish artists initiated by ambient composer Fredrik Ohr who projects the compilation into the upper atmosphere with his piece 'In Orbit' combining melodic synths, crunchy bass and elongated panned passages. While my favourite dub-step artist Liquid Stranger (although now based in the United States a Swede by birth) continues in the slow deep and bass heavy vein of previous Interchill releases with 'Flipside'. This trio concludes with Sinepearl whose sound is inspired by nature and the forest parties of Sweden and takes a deep melodic trip with 'Cosmic Centre' resulting in a tribal like Tangerine Dream sound.

The journey winds down with a couple of UK based artists Spiral Systems 'Mondays' is a laid back melodic number injected with a sprinkling of Brazilian flavours and acoustic guitar. While Alucidnation gently drops you at your destination with a dreamy melodic piece of chill leaving you content with the memories of your excursion through 'Waypoint' and grateful for Andrew's wonderful selections.

Reviewed by Woodzee




Thursday, 6 February 2014



Artist: Sinepearl



Album: Cycles Within Cycles Within


Label: Interchill Records


Released: 11th February 2014





I settled back to listen to this album through the cans while working on some e-mails interjected with facebook comments. Normally, I don't like to do a review without giving my full focus to the music. However, on reflection in this case it's quite fitting.

The first thing I noticed with the opening track 'The Great Wobble' was the excellent panning and was glad to have opted to listen through the headphones. It begins in a psychedelic manner and like many of the tracks on the album is of epic length and before I knew it I'd reached a wonderfully chilled atmosphere, which continued and kept me in a relaxed frame of mind until I'd completed my tasks and strangely enough emerged to give my full attention at the sixth track 'Emergance'. Which I have to say is a wonderful piece that begins with birdsong and other field recordings from the natural world. This is soon joined by an eastern sounding synth voice that just washes over you. It takes a while for the slow drum brushes to be introduced but you won't be disappointed with the wait.

To summarise this album is easy to get lost in. The tracks are somewhat similar and the epic length of the tracks and the ebb and flow of the music throughout the album are perfect for a chilled background and I for one am looking forward to exploring the tracks deeper in the future.

Review by Woodzee.

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