Showing posts with label Samanta Ray. Show all posts
Showing posts with label Samanta Ray. Show all posts

Sunday, 23 October 2016

Pete Ardron 'Unexpected Pleasures' Review



Artist: 

Pete Ardron


Title: 

Unexpected Pleasures


Label:

Pink Hampster


Release Date:

4th November







Pete Ardron the brain-child behind the band Orchid-Star has pooled together a collection of previously unreleased tracks featuring collaborations with artists and friends (which in many cases have shared his home) for this album. Additionally, there is a launch party at London’s Café Cairo this coming Friday with DJ support from Liquid Lounge & Sean Spindrift. So if you’re in the area and enjoy a melting pot of global, psychedelic and ambient sounds you may as well head over as it’s free entry too.


Those of you familiar with Orchid-Star will already be acquainted with Samantha Ray, an Australian whose operatic background works wonderfully when layered over dubbed acoustics on the opening piece ‘Beauty’. The following track ‘Vignette’ is an uplifting and melodic number featuring alluring Indian vocals (which I suspect are also provided by Samantha) and bamboo flute and appealed to me instantly. The album changes direction somewhat with ‘Bridges’ an ambient drum and bass hybrid featuring the spaced out electro-jazz of Onyx Ashanti (a American who is experimenting with future music technology who once called himself a musical cyborg) and the vocals of Myo (another long term member of Orchid-Star and former member of 80’s act True Life Confessions).


Next in line is the title track a lovely ambient piece awash with birdsong, flutes and the voice of Helen Francis (the first inclusion of someone whose not a professional artist) that would fit in well with any of the big ambient compilations such as Café Del Mar or Buddha Bar. Psibindi adds the vocals to ‘Mera Dil’ an exotic dub where at times the vocal sounds like a Sufi style and at others more like an Indian Dhrupad. The next track ‘Dhow’ begins with a sequence not a million miles away from Pink Floyd’s ‘On The Run’ amongst the waves it then slows down and the looped strings, flutes, synth fx and Indian vocals take over.


The album continues with ‘Hasya’ a collaboration with singer/songwriter Teresa Gabriel (who has also collaborated with Sergio Walgood and warmed up for Beth Gibbons of Portishead fame) and flautist Harmony Yemanya. The piece itself is another ambient track focusing on the flute and dubbed out vocals with a bit of reggae underbelly in places. Then we come to the second track which includes a friend rather than a professional, where Sayak Mitra provides the vocal on a cover of a Bengali pop song ‘Ami Tar Thikana Rakhini’ and it works for me.

Teresa Gabriel makes another appearance on ‘Blue Sky Dreams’ where her dreamy vocals really can take your mind to the sky and drift away. The final track on the album ‘Baniyan’ retains the flutes and Indian vocal that are a common feature throughout this album but there’s more of a classical feel to the piece with an operatic vocal added to the melting pot.


The talent Pete has brought in for these collaborations is high quality and he continues to produce a unique fusion of world music, ambient, psychedelic, dub and classical sounds. This album will definitely appeal to fans of Orchid-Star and if your unfamiliar perhaps it’s time you enlightened yourself.


Reviewed by Woodzee


Links



Note: Unexpected Pleasures is now available on CD for pre-order in the shop for the specially discounted price of £7.50 + p&p till Nov 3rd only (when it will go up to 9 or 10). CDs will be sent first class on the 3rd. BUT, if you come to the Unexpected Pleasures Album Launch Party you will get it even cheaper!


Thursday, 7 March 2013

Guest Mix - Pete Ardron (Orchid-Star)


I first came across Orchid-Star when Pete messaged me on MySpace to say he thought I may like their music, he wasn’t wrong I was instantly hooked on "Wildflower" and it seemed like an eon until it was finally released.

Now although Orchid-Star is essentially a band there were two other key elements that appealed to me the stunning vocals of Samanta Ray (an Australian opera singer of Indian descent) and the unique keyboard style which probably reflects Pete’s classical training. I’ve also caught live performances at Off-World festival and InSpiral Lounge and spoken to members of the band who seem a thoroughly friendly bunch.

I’ve not explored Pete’s entire back catalogue but I did purchase “Hanging On Perfumed Air” an album containing tracks written specifically for the parachute at Whirl-Y-Gig it’s not something I’ve used in mixes as the tracks run into one another setting a theme throughout the album which is bliss to listen to from time to time.

I recently reviewed Pete and Samanta’s “Interuterion” where Pete experiments and creates the album solely utilising Samanta’s voice (I'd instantly and wrongly assumed these pieces contained synthesizers) however, the album is aimed at meditation and relaxation while this mix (containing tracks and re-mixes of Pete’s, Orchid-Star and other projects including some unreleased tracks*) is far more uplifting and HIGHLY RECOMMENDED!





*Not only has Pete graciously submitted this fantastic mix he has also taken the time to provide a timed track listing with release information and labels.



0:00 Pete Ardron and Samantha Ray - Interuterion - Serenity (from Interuterion, Pink Hampster 2012)
0:50 Orchid-Star - Butterflies (from Birth, Liquid Sound 2008)
8:55 Orchid-Star - Lotus Bloom (SandRa & Pete Ardron remix) (to be released this month, Pink Hampster)
15:22 Pete Ardron and Samantha Ray - Vissi D'Arte (Puccini) (as yet unnamed project, gigged at Waveform 2012 but no completion/release date yet)
19:58 Pete Ardron - Vignette (unreleased, from next solo album (if and when it happens!), 2012)
25:05 Dorothee Munyaneza - Inzozi (Pete Ardron remix) (2009, unreleased, hopefully to eventually to be turned into a full album project)
30:50 Orchid-Star - Wildflower (Polynectar Remix - Squazoid) (2013)
38:12 Pete Ardron - Qawwali Roll (from Inside the Voice Inside, Pink Hampster 2002, Cyberset, 2009)
45:02 Pete Ardron - Angel (unreleased, from next solo album - 2005, yeah this one's taking a while!)
51:00 Terra Nine - Whisper (Pete Ardron remix) (from Stream of Consciousness, Tempest 2009)
57:04 N'Faly Kouyate's Change - untitled track (album planned to be released in Oct '13)
1:01:19 Trancient Dreams - Forbidden Sea (Pete Ardron remix) (2012)
1:09:03 Afro Celt Sound System - Hypnotica (Pete Ardron remix) (2010)
1:18:09 Dorothee Munyaneza - Iminsi (Pete Ardron remix) (released on DVD version of Dorothee Munyaneza - Dorothee Munyaneza, Luminary Records 2009)
1:23:39 Teresa Gabriel - Wings of the Angel (unreleased in this form, recorded at my place, 2005, only responsible for engineering and refusing to let her do anything other than live takes - still one of my 2 all time favourite acoustic recordings, the other also from the same afternoon)
1:28:04 Pete Ardron and Samantha Ray - Interuterion - Serenity 

Links





Saturday, 5 January 2013

Pete Ardron & Samantha Ray - Interuterion Review



Artist: Pete Ardron & Samantha Ray


Title: Interuterion


Label: Pink Hampster Recordings


Release Date: December 2012


I was more than slightly intrigued to listen to this album. Samanta’s vocals within Orchid-Star are stunning and the power of her voice for me is most apparent in the track “Passion” this release takes you to the other side of the pendulum and the titles couldn’t be more apt.
Serenity originally produced in 2003 it was used in 2005 as the musical core to Simon Rogers' exhibition Water Feature and in 2010 as the soundtrack to Collision Course by Carmelo Musca of CM Films and Garry Stewart of the Australian Dance Theatre.
Reverie Uses recordings from sessions for both Orchid-Star and Sam and Pete's opera-fusion project (out in 2013) Reverie focuses more on Sam's voice as both a richly varied solo instrument and a phenomenal sound-source to manipulate.
Pete compares the two pieces to a lake and a river the first a static environment and the second a flowing journey. For me both tracks achieve their goal in the sense that setting aside half an hour to listen to either track completely relaxed me before the end. I can only imagine this is what it feels like to have a half hour session in a floatation tank.
Musically (and indeed vocally) I enjoyed“Reverie” more. For me this track "seemed" to hold more of a human element, while in fact the whole composition of this release was made utilising only the human voice. Exploring and experimenting with the beautiful tones and heavenly choral aspects of Samanta’s voice Pete creates two tracks that could easily be confused for a choral and synthetic fusion

My verdict if you’re looking to escape the beats and listen to something more meditative and healing for the body and mind you can’t go wrong here it’s a fantastic collaboration by two amazingly talented artists.
Link


Review by Woodzee