Friday, 2 November 2018

SaQi & SuRaj 'Dust into Gold' Review







Artist: SaQi & SuRaj



Title: Dust into Gold



Label: Desert Trax



Released: 16th November










When I first saw this release advertised I initially thought I have no idea who these guys are, but I was intrigued at the promise of a deep fusion of progressive electronic downtempo and dance music with a variety of Middle-Eastern realms of sound. I’m still none the wiser to the previous productions of SaQi an electro-acoustic producer and trumpet player. However, SuRaj a multi-instrumentalist and vocalist has performed for many years as part of of the Qawwali ensemble Fanna fi Allah. Throwing several guest vocalists into the melting pot and a couple of re-mixes added to the anticipation.


The album begins with the title track and features the vocals from Shazieh Shah, which I found to be melodic and rather than the Azam Ali’esque vocals I expected, I found the whole piece closer to Massive Attack with Tracey Thorn. The next track named ‘SuRaj’ I expect as his Oud performance provides a backbone to the synth and flute melodies that accompany the piece. Moving on the direction changes once more with Eastern European flavour of ‘Babushka’ featuring Sarasvati Dasi (who has worked with the Polish Ambassador) and placing more focus on the trumpet of SaQi.


Once again the style changes with the Sufi number ‘Taje Dare’ featuring SuRaj’s band Fanna fi Allah fused perfectly with SaQi’s trumpet. Then it switches back to more of the downtempo Massive Attack style with ‘Higher Place’ this time featuring vocals from Pepper Proud. Sarasvati Dasi returns on ‘Anu Pama’ which returns to the desert in a stereotypical fashion.


We then encounter the first of the re-mixes with Treavor Moontribes take on the title track under his Forever and Ever pseudonym, which adds a slightly growling electronic emphasis to the piece. Once again the emphasis switches back to the acoustic this time fusing the skills of renowned Israeli oud player Atallah with SaQi’s trumpet. The final piece of the jigsaw is the SAAND re-mix of ‘Higher Place’ where I think he injects a bit of magic to the piece, which wasn’t bad to begin with.


To summarise this release may not be on everyone’s radar. However, if you like your electronic world fusions to contain real instruments, it’s definitely worth giving it your ears at least once and you really can’t fault them for variety.


Reviewed by Woodzee


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