Artist: Afterlife
Album: The White Island
Label: Subatomic UK
Release Date: September 2012
'The White Island' is Afterlife (UK chillout producer/remixer
Steve Miller's) latest album and the title is most appropriate as the whole feel
of the album is one of just letting the cares of the world go while you hear
the tides lapping and everything else that being on you're own perfect island
conjures up.
The album kicks off or should that be glides
into 'Saxophone' a gorgeous Samba number with 'Lovely Laura' (M.O.S, Hed Kandi,
Space- Ibiza to her credit) An amazing and accomplished Saxophonist she
perfectly compliments the Brazilian beats underpinning it. She is so in tune with the vibe. Every note is perfect
It then leads into the beta blocking heart
beat of 'Seriously' with some seriously smooth vocals by Alexandra Hamnede.
Echoing distant horns add to the near horizontal feel.
'Espalmador' brings the tempo up a few notches
with some fine circular congo
action and some gorgeous thermal synths. We are still in Brazil but now lifted
from the beach skywards. It's like looking over it but with that stillness. It's
pretty much like I'd imagine hang gliding to be..
I never try to put a negative in but I have to
say that 'Les Cellulaires' is a tad misplaced..Maybe it's just me …. but maybe
that's me lacking some sense of fun I just think it could have come in later.
Next up.. 'Down' with Rachel Lloyd on vocals,
high note synths and mellow bass wash like the tide to create a perfect tune to
watch the sun set to.
With 'Loftism' the night torches are being
lit, the first cocktails are being poured and everyone is getting down to
the 4x4 beats. Smooth housey organ stabs and the party is getting
started
There's more besides ... I will say if Ibiza doesn't have this playing in their bars then
they've lost the spirit. Saying that though this is universal so if yer coming
down in Dumfries or coming up in Dalston then
this is your sound track. Overall it's a quality release from a man who knows what
works and how to apply it.
Reviewed by CKA John
No comments:
Post a Comment