Tuesday, 30 June 2020

The Russian Linesman 'Monomyth IV - Apotheosis' Review






Artist: The Russian-Linesman



Title: Monomyth IV – Apotheosis



Label: Loki-Recordings



Released: 10th July










The fourth instalment in the monomyth series where most often anonymous storytellers are merged into a musical collage of field recordings and electronic soundscapes. The concept of the monomyth or heroes journey is where the central character goes on a journey and against adversity, wins a victory and returns home a changed person.


This EP starts with the darkest point of our adventure, the ordeal and the inevitable descent into the abyss. The only way now is upward. The rebirth of our heroes leads to their apotheosis, as they seize the sword and begin to enter the divine realm... from a certain point of view." – Russian Linesman


The adventure gets underway with ‘Ordeal’ the longest track of the E.P. at just over nine minutes long. The slow plodding beat and echoes of the narrative lead to passages of choral voices that provide a Gregorian chant feel to the piece. Whilst the tale is of being helped by those who have the least to offer whilst cold and disorientated.


The next track ‘Descent’ begins with a foreboding dark intro that soon unfurls into a light and melodic piece. The emphasis of the tale here is of comfort after sorrow and loss. This is followed by ‘Re-Birth’ which is a more gritty number with dark loops and piano stabs that bounce of the slow-house beat. Whilst the subject matter here placing the focus on coming out of a trauma re-born and re-juvenated.


The final piece of the jigsaw of this instalment is ‘Seizing the Sword’. Where indistinct background chatter and melodic electronica, provide the background for this tale of avoiding the publicity and admiration that comes with being a hero.


Reviewed by Woodzee


links




Video from the re-mixes of the last instalment ‘Entering the Belly of the Whale’
Remix by Nick Warren & Nicolas Rada


Sunday, 21 June 2020

Shankara NZ 'Dawn Chorus.' Review






Artist: Shankara NZ




Title: Dawn Chorus E.P.




Label: Dubmission Records




Released: Friday 26th June









The official blurb for this release informs me that although they are better known for their productions alongside the Desert Dwellers and Grouch, within the down-temple scene. Although, dub is the glue that always binds their work with their love of the skank and the bass. Whilst the inclusion of native New Zealand birdsong is included, to represent the natural world that inspires this duo.


The E.P. starts with ‘43.6 South’ which brings together all the elements you would expect in dub reggae from horns, bass guitar, keys and bubbling sound fx with the occasional short injections of vocal echoes. While the horns may be dropped for next piece ‘Tui’ the lyrical content flows throughout the track with the addition of esp MC.


Then we take off with the horn section once again on ‘Weka’ juxtaposed nicely with the deep bass, laser fx and vocal echoes. Then it's time for the keys to lead the way into the bass of Finn Kelcher and the vocals of esp MC on the dreamy ‘In Your Mind’. The final track ‘No Worries’ places the focus on the lead guitar, rather than the bass and I really like that aspect of the piece.


To conclude I felt that this E.P. had all the ingredients of dub reggae and while there may not be any hit songs on it. It’s of a fair standard that we’ve come to expect from the New Zealand reggae scene and well worth a listen.


Reviewed by Woodzee


Links